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house_wilson_ghc2010-01-28 11:19 pm
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Some thoughts about "Remorse"
Some grumpy thoughts about "Remorse"
In consideration of the massive continuity errors of the latest episode—is that just sloppy writing or (and) sloppy producing, or do they think we viewers are stupid?
Episodes that follow each other but where something fundamental that happened in the episode(s) before is just forgotten? The total rape of Chase's character? The stupidity of Foreman and 13's on and off love affair? Wilson, who one time hates Cuddy for the way she treated House, and a moment later is angry about how House treated Cuddy "over all the years", which is total nonsense, even for Wilson?
"Remorse" made no sense because of the position it had inside the series, especially not after "Wilson" or "The Down Low". It's as if they pulled an old and forgotten script out of the drawer and filmed it down in haste, not caring whatever, how little sense it made at that point, and just thrust it into the show randomly.
This show has producers in abundance, but none of them catches continuity errors and wrong characterizations? Do they just not care (not even HL?), or...what else is wrong with them?
Your thoughts on this?
In consideration of the massive continuity errors of the latest episode—is that just sloppy writing or (and) sloppy producing, or do they think we viewers are stupid?
Episodes that follow each other but where something fundamental that happened in the episode(s) before is just forgotten? The total rape of Chase's character? The stupidity of Foreman and 13's on and off love affair? Wilson, who one time hates Cuddy for the way she treated House, and a moment later is angry about how House treated Cuddy "over all the years", which is total nonsense, even for Wilson?
"Remorse" made no sense because of the position it had inside the series, especially not after "Wilson" or "The Down Low". It's as if they pulled an old and forgotten script out of the drawer and filmed it down in haste, not caring whatever, how little sense it made at that point, and just thrust it into the show randomly.
This show has producers in abundance, but none of them catches continuity errors and wrong characterizations? Do they just not care (not even HL?), or...what else is wrong with them?
Your thoughts on this?
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As for the rest, IAWTC. Chase was barely even around for some reason, Foreteen already died and I hope 13 finds a nice girl or guy somewhere that we don't have to watch on screen, and the side plot didn't make much sense. Like why did that guy make House think he failed that seminar? Just to make House feel bad? Why?
Really, I mostly enjoyed the POTW and "You said we'd never go to bed angry" and other such banter.
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I have trepidations about the next episode to be honest, it could go either way really; another filler or another sort of go at the comedic stuff we saw in The Down Low.
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Next episode...who knows. With a lot of bad luck it gets the awful way of "Let them eat cake". I'm rather disturbed they will destroy the beautiful new loft.
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I agree on this point, they made a big deal about how the Dibala case was torturing him and stuff and suddenly they dropped it, right after his wife left him, when he should be doing way worse, there should be at least a hint of how he's dealing. But I'm staying hopeful for this though, it was played on episode 9 and maybe they'll mention it again soon, guess they can't deal with all the issues and plotlines in every single episode. Really hope it comes up again, Chase is way too interesting a character to stay too long on the background.
About Thirteen and Foreman:
I don't really know what you meant with what you said about this, but I can't bring myself to care that much about this relationship, I rarely see any fun or interest in it, whether it's functional or disfunctional.
About Wilson and Cuddy:
Wilson was angry because House got hurt and metaphorically slapped right when he was actually trying to make things work in his relationship with Cuddy, right at the moment where he made himself vulnerable to her, so at the end of the "Wilson" episode Wilson kind of got back at her for it. But Wilson doesn't hate Cuddy and he already "punished" her by taking her place, and it doesn't take away the fact that House did hurt and humilliate Cuddy several times over the seasons while she was in love with him (especially on season 5), and since House actually cares for Cuddy it would be way more significant to appologize to her rather than some random dude he hasn't seen in more than 20 years. Don't think Wilson was angry with House, he was just doing his usual House-lecturing and pointing out what he thinks is right and best for House. He ALWAYS does this, what else is new?
The thing you have to remember is that this show is all about showing/exploring/analyzing every possible point of view of a situation that there might exist, for some people it comes off as inconsistent, but I think it made sense, at least the third point I made, hopefully the Chase matter will make sense soon too.
I do agree that there have been a lot of inconsistencies on the show, but most of them ocurred on season 5, I think they've been doing pretty well so far on this season.
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Also, as for Chase's character...I can't even figure out what you're mad about in "Remorse," honestly? He was barely even in the episode.
I thought it was an uneven, clumsy, and not terribly interesting episode, but there were no glaring inconsistencies that I saw. And, hell, every show will have off episodes sometimes.
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I don't agree with you: I don't think Cuddy ever loved House. She fancies him, like a schoolgirl the leader of the sports team, or as in a fifties movie the "dangerous" leather jacket wearing leader of the motorcycle pack. It's infatuation at best, not being in love. And especially not real love. I may remind you of "Let them eat Cake". No one who loves acts that way (the other way around also the hint that there is no real love for Cuddy in House. They would like it to be more, they love the *idea* of being more, but it's just the fun of the game and they do want to sleep with each other. But as they don't get even that simple act done it seems there are some needed emotions missing. Like trust, for one.
Well, the post-Dibala Chase is a road wreck. He is again as bored and boring as he was in the first seasons. And House even regresses into hair jokes again, obviously as perplexed about the change as everyone else. He wanted the new, the grown up Chase in his team, the one who could and would stand up against him. And now he can insult him as he wishes and just gets sullen looks for it. Did we fall into a time tunnel? And I don't care for 13 and Foreman at all but that they annoy me and they take away screen time from the important parts and persons. But someone in the high up loves them dearly and keeps the dead horse alive.
There have been a lot of good episodes in this season so far. And some awful ones where the writers weren't worth a luke warm coffee for their sorry efforts (or whoever is responsible for the final version of the scripts).
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rantedhad concerns over in a previous post (http://midgar-skyline.livejournal.com/37324.html) in my own journal already, and I'll quote a tiny bit of it here because the paragraph is what I would have typed in reply to you if I hadn't already written it."The first and probably most controversial opinion I am going to throw out here are my suspicions that many of the House writers themselves seem to be biased towards one of the two major House pairings at the moment (i.e. House/Wilson and House/Cuddy). Everyone has personal opinions, and thus I may be completely wrong and merely reading into things which are not there (God knows writers have it hard, and it's not an easy job - what with all the tense deadlines...), but my problem arises when the episodes see-saw wildly from one extreme to the other in an effort to push a certain agenda (or pairing as it may be)."
House and Cuddy pining(!?) for each other in a we-genuinely-seriously-love-each-other-but-woe-betide-us-that-fate-means-we-can't-be-together à la Romeo and Juliet is quite simply something which just does not make sense to me because I feel as if the producers/some writers are trying to push the "Huddy" as a serious pairing based on true love, whereas I personally just simply cannot see anything beyond crushes, lust, and perhaps misplaced senses of admiration (on both their sides). The pining, on both their parts, is driving me absolutely insane. In this new season I assume we, the audience, are meant to believe House is trying to change. Change is not necessarily a bad thing, but to change this drastically?
Comment continued below due to LJ character-limit.
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Ok Shore. It's your show, your characters but, please? You don't have to share our points of view, but really, you're making such a lame work. If you want so much your stupid love plotline, make another show! House was a hit for the way he was, not for the bothering relationship with his boss.
Now I'm going to re-read all my Holmes books. Doyle knew how to play sutile.
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I have a feeling they'll come back to Chase, but maybe not right away, or even in this season. Issues in House are never resolved and tied up nice and neat right at the get-go: case in point, we didn't get any in-depth information about Wilson and his brother until season 5, but the point is, we still got it. In a way, House tries to mimic real life in this way, by presenting problems, showing their immediate effect, and then showing how everyone pushes forward, because that's what happens. And then they bring the problem back, with new effects to demonstrate how devastated situations never really just "go away." I actually appreciate that, for however frustrating the wait can be.
And it's already been said, but Wilson was not in fact siding with Cuddy on anything, and he was most definitely using her as a cover so he wouldn't have to reveal how much he wished House would apologize to him. The fact that House never called him on this rather obvious blind is rather telling, I think. I think it shows House has matured a bit....thoughts?
Anyway, I think the House-Wilson-Cuddy thing is a bit confusing. I get the feeling that Wilson is just generally fed-up with them both, and how utterly dumb and infuriating they were, dancing around each other, psyching each other out, when it was blatantly obvious they both wanted each other, and he had to be their wrangler. It pissed him off, after a time, and he didn't think either of them handled it well, it's just that they traded off being the victim at times. He's annoyed at them both, and frustrated with them both, and has stood up for them both on different occasions.
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If you go back and watch S1- through S6, one thing is undeniably clear. The only person House can't seem to live without is Wilson. Huddy is just a side show and not a very interesting or sexy one. Who the hell finds it sexy to watch a 50 year old gray haired wrinkled man and forty something woman act like they're 12. House is not interested in Cuddy. House is in love with Wilson. Watch Birthmarks. Watch Wilson. Watch Not Cancer. Watch the Pilot. Watch Wilson's Heart. Watch Dying Changes Everything or No More Mr. Nice Guy or House v. God or All In or Safe or Clueless. House has managed to live without a personal relationship with Cuddy for more than 20 years. Not so with Wilson. House cannot live without Wilson. House needs Wilson just like Wilson needs House. That's the love story they're really telling. Huddy is just a painful distraction. And the best cure for it is TiVo FF.
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We have seen House when he is smitten with a woman. How soft spoken he gets, even a bit shy: he was that way with Stacy. He was that way with Lydia. He talked soft and seriously with Antarktis-woman. All women were in a way female Wilsons, in look or demeanor. House wants and needs a Wilson, as someone above said. Right on spot! And beginning with Season 5 and very drastically House is this way with Wilson (beyond the grade he was before)!
House is changing, and all the changes are for Wilson, he is a totally different person now when they are home together and how jerky he still acts at work to everyone there. Some seem to think he tries to change for Cuddy. But that's not what we *see*. And action speaks louder.
Someone asked about Let them eat cake ...if I don't get the episodes confused, it's the one where Cuddy tripwired House, a crippled man. He could have broken himself a leg or arm there. And she let him walk four floors of stairs. A man with chronic leg pain. She was vengeful, she was out to really hurt him, physically, and she went directly for his leg. If I love someone I don't want to physically (or else) hurt them (to that degree). I say again: this is power gaming, nothing else. And the sooner House realized it too, the better for him. And for Wilson's poor nerves.
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Second, how damn obvious do the writers have to be? I can't believe there are people here who still can't tell Wilson was jealous. He only talks about Cuddy because in House's mind, they are at the same level. He can't possibly bring up himself, can he? He can't go to House and be like, "why didn't you apologize to me, after all that had happened?" or say "I have loved you all these years and all you give me is constant abuse." This is not the first time Wilson used Cuddy as a shield for his own feelings. Watch the show from the beginning, and you'll notice it's always been there.
Also, as House/Wilson shippers, it is important to learn to read between the lines and catch subtle clues the writers leave behind. Don't be dreaming of a big chunk of bread when there are crumbs. Be content with what you have, or else you'll never be happy.
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(Anonymous) 2010-01-29 08:24 am (UTC)(link)(no subject)
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(Anonymous) - 2010-01-30 00:02 (UTC) - Expand(no subject)
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Well "hate" was a bit hyperbolic of me. But he resents her a lot lately (and with reason) and no more "good friend Lisa", his partner in crime when it came to protecting House.
Yes, I agree, Wilson spoke about himself when complaining about House not apologizing to Cuddy.
There is a big difference in what Wilson did with House's cane and what Cuddy did. It was a direct reaction to House's own prank, while Cuddy just overreacted. She didn't play, she went for blood. And the most obvious difference is House's reaction to it. With Wilson House was amused and impressed: he loved it. With Cuddy he
shut down like a beaten dog, like a little kid who is bullied on the school yard. And when he did hit back in the end he didn't go for hurting *her* but just to annoy her by destroying things (and not even her's but the hospital's).
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(Anonymous) - 2010-01-30 00:03 (UTC) - Expand(no subject)
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(Anonymous) - 2010-01-30 09:41 (UTC) - Expand(no subject)
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My theory is that when a show rises in popularity the writers no longer write for the characters and the intrinsicness of the show- they start to write for the ratings and the viewers. I don't think that this is a conscious deliberate pandering, I just think that there it is Really difficult to be as unselfconscious about the writing of a book or a show when you know that "the eyes of the world are on you". Which is a shame.
I am completely with you on the House/Cuddy relationship. It makes me sad because in my opinion originally the relationship seemed to be very healthy. And the pining thing makes me go, "Whaaaa???" too because of the length of time where there wasn't pining (at least not overtly) and because it seems like there used to be more respect and friendship under the banter and flirting. I used to feel that a relationship could be feasable (I didn't ship- but it seemed plausable in my opinion). Then suddenly there seemed to be a desperation and Cuddy's character seemed to be suddenly made into a weak-kneed schoolgirl.
It was like Cameron- season 3- it was over the top. Growing and having realisations and having multiple layers/feelings- that is fine. But... to have a character seem to go from one end to another without sufficient evidence as to *why* this would suddenly happen is frustrating. I could understand Cameron getting "harder"- but... it was like angel Cameron turned into Dark Cameron. It Really annoyed me and then Cameron came back in season 4.
Right on the nose with Chase's character. He's totally angsty about parental issues- ends up killing a patient because of dealing with Daddy's unexpected (to him) death, and then POOF- NO parental issues at all?? Dibala is *Such* a source of angst that it ends up breaking up his marriage and then *POOF* - no problem??
Obviously the writers cannot and should not focus Soley on one character Too much... but it just seems like they *Have* made things clear in other episodes that things brought up in one episode where still there and not totally dead without beating you over the head with it.
I do agree that Wilson's back and forth seems to be consistant with his character. He did the same thing with things with Stacy. "Don't do it!!" and then "You idiot, why didn't you do it??" I think that delurking made a great point- I think that he gets irritated with both of their actions. Also, I think that Wilson has a Very difficult time sometimes with admitting to his needs and wants- so it is easier for him to complain about an injustice that is done to someone else.